Nationalism needs heroes. It constructs for them elaborate mythologies. It nurtures, protects, and propagates those mythologies through all channels available to it. Examples can be stated from any given nation-state and let me highlight three that are directly relevant to my topic: the history and memory of Charlemagne in France, Shiva Ji in India, and Chinghiz Khan in Mongolia are all examples of heroes that represent some unique facet of that nation's foundational myth. Their mythologies, narratives and histories are not only produced for mass-consumption but also jealously guarded in the sites of memory (as Pierre Nora puts it).
Muhammad b. Qasim al-Thaqafi is one such jealously guarded national hero. In the Pakistani national history, he is the founder of a Pakistani state in the eighth century. He is a devout Muslim, a dutiful commander and a paragon of a true soldier. His every step is taken to further the cause of Islam and the Caliph. He is brave, fair and just and he takes as his ultimate duty the establishment of the Islamic empire in al-Hind. Against all odds and with a small army, he vanquishes the despot Raja Dahâ€šÃ„âˆžr of al-Sind. His triumph complete, he returns to Iraq and falls victim to political treachery. There are competing narratives that cast him as a temple-burning, usurper and invader who establishes the rule of violent upheavel and colonialism in al-Sind and al-Hind. Still others seek in him a gentle warrior of the soul that epitomizes the Sufi-Soldier duality. These various narratives are fluid, they emerge from competing political and cultural spheres. My goal is to contextualize and analyze them. Simply stated.
Of course, one arguement is that underneath all those "representations" is a "true" Muhammad b. Qasim and it is the job of the historian to unearth him. After all, where would we be without the Truth? Reading my dissertation, I guess. I make no attempt to collate/collapse all extant sources to take out the "kernel of truth" buried in there. My interest is in the production and receptions of these histories. With very few sources, fewer external ones, where can I find the truth, even if I had the intention? Are the earliest sources the most accurate? What if the earliest sources considered al-Sind to be a god-forsaken land and felt that the Muslim campaign there had not amounted to much? Muslim chroniclers spilled much ink on the sexy conquest of Sham and Fars (with attending heroes) and little on al-Sind (with a much more ambivalent hero). Before I offend Sindhis, I hasten to add what al-Baladhuri states about al-Sind:
So, about those kernels of truth. There is little that we can ascertain about MbQ (as I call him, more on affection between historian and subject later) from extant sources. Archeology tells us very little. The Arabs in Sind left coins and epigraphic evidence but nothing specific about MbQ. The sanskrit sources speak only of mleeches - no mention of MbQ. Which leaves textual sources. The earliest extant is al-Baladhuri's Futuh al-Buldan which is a late 9th century book of conquests. The information on MbQ is sparse, and the section is quite limited. It may contain remanants of an earlier text by al-Mada'ini which, alas, is no more. The next jump in textual sources is to an early thirteenth century Persian text, al-Kufi's Fathnama-i Sind. This is a troublesome text for a variety of reasons. It contains a large history of al-Sind prior to MbQ's arrival and the rest concerns MbQ's adventures in al-Sind. However, we have very little verification, textual or otherwise of anything stated in it. More on that later in the week. In the c. 15th-19th time-frame, we have both regional and court histories that offer amalgamations of al-Baladhuri and al-Kufi without adding anything new. Most notable for my purposes are Tarikh-i Sind by Mir Muhammad Masum Bhakkari (d.991/1583) and Tuhfatul Kiram by Mir Ali Sher Qâ€šani Tattavi (d.1139/1727). There are also mentions of MbQ and his family in various early Arabic compilations, some mentions in apocalyptic materials, and he appears in biographical dictionaries. So, depending on how much faith you want to put in textual histories written 150 years after the fact, here is what we can claim:
He was born in/around c. 695 among the Banu Thaqif who held common ancestry with the Umayyads. They were settled around the town of Taif. The Thaqifi rise to power came with al-Hajjaj. MbQ was the grandson of al-Hajjaj's uncle (not nephew). He got the nickname Abu al-Bahar as a youth because he liked the sweet fragrance of wild flowers. He was married to someone from Banu Tamim at a young age (not al-Hajjaj's daughter). He started his career as a military commander in Iraq and Persia (against the Kurds and around Shiraz) subjugating rebellions for al-Hajjaj. He was quite proud of his record there as he bemoans in a poem at the end of his life:
Around c. 711/12, he was chosen by al-Hajjaj to lead a campaign against al-Sind. More poetry:
He governed men at the age of seventeen,
When his equals were busy with other things,
Their petty desires had pulled them down,
While he was raised by kingly ambition and strength.
Why was he send there? al-Baladhuri maintains it was to capture some Kharajite rebels who had taken refuge with the Raja of al-Sind. The later sources have a far grander story about rescuing maidens that play a significant role in the present-day mythology of MbQ. Also, al-Hind held a curious fascination for the earliest Muslim expansionist. Missions were sent here as early as 'Umar b. al-Khattab and 'Uthman b. 'Affan. They were not successful but the tales of magical/golden al-Hind kept the interest alive. Further still, was the military imperative to keep the flanks covered after the conquest of Fars.
In any case, MbQ was the latest campaigner commissioned to "open" India. His army defeated the local ruler of al-Sind, Raja Dahar, in a campaign barely lasting a year and a half. His army conquered from the tip of the Arabian Gulf at Daybul, through Makran, up to Multan. Within two years, he was recalled back to Iraq. al-Hajjaj had died and left some checks waiting to be cashed. The Thaqafites paid the price. The end of MbQ will dominate wednesday's post. The polity he created lasted wily-nily under 'Abbasid governors (until the c. 10th) as a principality - though it flirted with the Fatimids on several occasions.
Now, all that I have stated above, I can elaborate from various Arabic and Persian sources but the story is sparse and skeletal. Hopefully I gave you some sense of the sources that I work with and, tomorrow, I will show what happens to this skeleton when it enters the realm of production of history.
this makes for fascinating information. i am delighted to see this blog especailly so as this sort of research can unearth informaton that goes against conventional ideas and bias that people have in their minds. In pakistan, the religious right hijacked MBQ for projection of their own version painting Raja Dahir in disrepute. this conflict was at height during Ayub Khan's One Unit the Nationalists, secular left, vehemently denying Right's assertion on Raja Dahir. An excerpt (from a speech) that the nationalists attributed to Al-Hajjaj (to piss of the mullahs) were these as he addressed a group of men with these words, "your heads appear to me as fruit ready to me to pluck with a single wave of my sword" to demonstrate his ruthlessness. (all this could be speculation/ conjured up text/fiction which is why the role of the historian is so important) as an important port or transit point, destruction and pillage of this part of the world is not new. most of us are either indeginous south indian and we could very well have arab and persian blood running in our veins but as far as impact on our psyche is concerned, MBQ's influence is far overshadowed by that of sufism, of religion from a process that came much later, the inspiration came from faith in the prophet rather than a conquest. we do not have in our folklore any eulogizing of conquests but the poetry by three major poets of sindh are immersed in the praise of those who have healed (the prophet) and liberated the minds what fascinates me, today, (in addition of the above poetry) is from a linquitic point of view -that days of the week in sindhi are arbaa, khamees (khamsa), jummo (jumma) - that prayers and greetings are influenced by arabic (more so in Sindhi than other languages) look forward to your wednesday blog. (i tried to verify some facts on MBQ on the net and got to a site that belongs a gentleman at Univ. of Chicago) small world, i say :)
You know, reading the first lines of the post, the British parallel that immediately came to mind for me was King Arthur. Although there actually seems to be somewhat more historical evidence relating to MBQ; well, at least we know he was a 'real' person. I think it was the 'noble national hero, betrayed' thing that I was initially picking up on; but then also the question of later historical 'uses'. Can't wait for the next instalment! (My favourite version of the King Arthur story is T H White's _The Once and Future King_, by the way...)
Sharon: You are right about King Arthur being a similair example. And T H White's work is great. I need to think a bit more about that especially since MbQ's testy relation with the center. Did you see the recent movie on Arthur? Laugh out loud funny, I thought. Deevan: You are absolutely correct about the use and abuse of MbQ by religious right/political powers. And, if you like to do me a favor, dig up what you can about "Sundree" - I will talk about that soon and be good to have your input.
Thanks for this great post! Am looking forward to Wednesday's addition.
sepoy, sorry to ask a stupid question but is this a physical object like "sundlee" (low table women sit on while cooking etc), could be a musical instrument or "sundroo" which is a bit more complicated but again an object. You have used capital "S" so I am assuming you are referring to some character. Could you help explain the context. I would surely help. Have some inhouse experts I can speak to. regards Naveed
Not at all a stupid question, deevaan. I was too vague. Sundree is the name of a folkloric character - a woman. See if that resonates anywhere among those who know about Sindhi folklore.
thanks sepoy, this is much better. Sundree should take its origin from 'sundar' meaning 'beautiful'. 'sunh' is also "alluring" in sindhi so dropping the d sound and it becomes sunree or suhni which as you may well be aware is suhni-mehaar/saahar (in sindh) and sohni maheeval is punjab. but let me do a double check on this, i do have a book on lesser known folktales that i need to refer to & shall revert back tomorrow. regards Naveed
I *meant* to get out and go to the King Arthur film, but haven't got round to it. Now you've reminded me, I might check to see if it's still on somewhere around here in London. (Or it may arrive in Aberystwyth in about 3 months time...)
If you can help me please...I want to know where Muhaamad bin Qasim born...i mean in which city...would be grateful to you..
Ta'if in Thaqifi tribe...the same from which his grand father belongs (al-hajjaj ibn al-Yousaf)
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