[Editor’s note: I (Patwari) interviewed Sonny from Riyaaz Qawwali group on Skype in May 2015. The following transcript was edited by me, and revised by Sonny.]
Patwari: Can you tell us a bit about the beginning of your journey into qawwali performance?
Sonny: I met Dr. Akbar Hyder when I was a student at the University of Texas. Discussions with him about qawwali were instrumental in my turning towards qawwali, and, woh kehte hai na ke lagan lag jati hai, so it became sort of an obsession of mine. In a way it opened for me different realms of thinking. Then, stars aligned in such a way that we ended up doing a couple of very interesting performances that were attended by some academic luminaries and big-name sponsors of the Austin Pakistani community. The appreciation and encouragement they showed, for us, sort of started our journey as a group.
But, I’ve been interested in qawwali for a long time. It’s my misfortune to have discovered qawwali late, in 1998. I distinctly remember discovering qawwali in August of that year because it was like rediscovering my love for music. By the end of the month I was listening to a lot of Nusrat Fateh Ali Khan and realizing that he had passed away only a year ago. So it was my misfortune to have never seen him perform live. He was an important influence in my initiation into qawwali. What Khan sahib did for qawwali is of immense importance, bringing a lot of people, non-South-Asians and South Asians, into the world of qawwali. For me, it was a great introduction to the qawwali tradition and I was then able to explore the vast landscape of qawwali and the works of qawwals such as Sher Ali, Mehr Ali, or Waddali brothers, Aziz Mian, Sabri Brothers, Abida Parveen.