I think some of her strongest work, to date, is being featured in this show – specifically, the Rasa series. Since she has portrayed generals and kings, she immediately got how a true theocratic-juristical Leader, such as me, should be captured. After a lengthy, exhaustive, and exhausting series of photo-shoots – scattered around the globe – she finally was able to capture the sprite that lurks behind my twinkling eyes. That iridescent smile.
In all seriousness, go see her show:
1. Dhoom Dhamaka!
Sept. 4 – Oct. 1
Opening reception: Sept. 4 at 6-8 PM.
1310 Mission Street, San Francisco, CA 94103
The show will be held in conjunction with a performance by Joti Singh’s Duniya Dance Company. Performances will take place Sept. 11-13 at 8 PM.
The theme? The War on Terror! Paintings are shown in the lobby and can be seen from 12-6 Tues-Fri, at the opening, and during the performance (where they will be projected onto the stage). For more information about purchasing tickets ($12-$20) for the performance and directions to the venue, visit CounterPulse .
(Suggested listening while reading this review: click here; don’t bother to watch the clip, since it’s just a fan slideshow) The film version of Etgar Keret’s novella “Kneller’s Happy Campers” (which is also recreated in the graphic novel Pizzeria Kamikaze) has finally been released in the US (see the earlier review of Keret’s work here). Despite some major and possibly regrettable alterations to the setting and plot, it is still an excellent movie. The biggest disappointment is the location. The story takes place in an afterlife universe where people go after they have committed suicide. In the novella and graphic novel, this place is a city and surrounding countryside that bears a remarkable resemblance to Tel Aviv. The movie was shot in the United States in run-down parts of LA and somewhere near the Nevada-California border, which makes sense, since most cinematic universes are relocated to California. The characters are now mostly American, or recent immigrants to America. Choosing to make the whole movie American and losing the Israeli element of course robs the story of some of its original flavor, although in the novella the place is never named, and is only meant to resemble the lousy places where the suicides lived before they killed themselves. Suicide is not a culturally flat construct and in the context of an ironic Israeli tale it takes on an especially dark and provoking resonance. On the other hand, the Croatian director, Goran Dukic, has done a superb job choosing the grimmest and most derelict locations imaginable, and this does make up for the initial disappointment that our hero is now from New Jersey and his life has probably improved quite a bit now that he is dead and living in California. Continue reading “Chapati Review: Wristcutters, A Love Story”
As you can see, I am a magnificent horse. Proof of my magnificence lies in the fact that I was presented as a special gift to First Lady of the United States Jacqueline Kennedy by Field Marshal Ayub Khan in 1962. During the First Lady’s resplendent tour of South Asia, she was presented with many fine gifts, including me (Sardar), an elephant named Urvashi (presented by the Nehrus), and two baby Bengal tigers (presented by Air India) whom the First Lady had planned to name Kitty and Ken after Ambassador John Kenneth Galbraith and his wife. I say she had planned to name them Kitty and Ken because they perished before they could be shipped to the United States from India. Clearly I was the most suitable gift of these as the First Lady was an equestrienne nonpareil and I was successfully brought to the state of Virginia in the United States so that Mrs. Kennedy might enjoy my company as much as possible.
I know what you are thinking. You are thinking, “You say you are magnificent, but you are only half a horse! Where is the other half of your body?” This is an excellent question. As it happens, I am actually a painting of a horse, representing a particular horse, named Sardar, that existed in history. My photograph was taken in Virginia in the company of the First Lady and Field Marshal Khan, and an artist has rendered that scene in a triptych. During the course of this rendering, the artist has made certain stylistic decisions, causing me to be only half a horse in her painting, though I remain a full horse in the original photograph. This decision was no doubt made because, in the style of miniaturists of old, she did not wish to make the animal larger than the two great human leaders also present in her painting, yet, bound by the duties of a perspectival painter in the Frankish mold, she was not able to bring herself to make me a very small horse in proportion to the First Lady and the Field Marshal. Thus, I have become half a large horse. Continue reading “I am a horse.”