CM Roundtable I: Surkh Salam – Kanna

[The CM Roundtable is a new series that presents multiple, in-depth reviews of an exciting new book. Each new roundtable will conclude with the author’s response. We thank each of our distinguished panelists and the authors for engaging in this public dialogue. We aim to have each roundtable available as a single beautifully produced e-book available at the conclusion– for classroom or referential usage.]

CM Roundtable I: Surkh Salam
Author: Kamran Asdar Ali
July 27– Ananya Jahanara Kabir, Professor of English Literature,  Kings College
July 31– Atiya Singh, University of Chicago
Aug 14– Author’s response

Surkh Salam


Communism in Pakistan: Politics and Class Activism 1947 – 1972 by Kamran Asdar Ali. London and New York: IB Tauris. xiv + 298 pp.

Ali-Communism in Pakistan

Ahmed Kanna, School of International Studies, University of the Pacific

Kamran Asdar Ali’s Communism in Pakistan is a meticulously researched and carefully argued work of scholarship. It is also a deeply moving reflection on Pakistani dreams for a just society unfulfilled, dreams that, though they are in retreat in present-day Pakistan, are ultimately unvanquished. An anthropologist and director of the South Asia Institute at University of Texas at Austin, Ali evokes the egalitarian and democratic hopes that animated generations of working class Pakistani fighters and their comrades – from communists in the first decades of the new country to labor militants in the early 1970s – as ultimately indomitable, if only in the traces, or as Ali calls them “ruins”, that they have left behind. Following the work of anthropologist Ann Laura Stoler, Ali suggests that these ruins can become resources for ongoing and future struggles for justice. While it will be compelling interest to South Asia specialists, non-specialists approaching Communism in Pakistan with little or no knowledge of the country’s history and that of South Asia more generally should prepare to devote intense concentration to it, as the complex skeins of narrative that Ali so skillfully weaves together produce a highly entangled and rich portrait of Pakistani history that often only yield insight upon rereading.
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