I was invited to speak on Richard Eaton and Phillip Wagoner’s 2014 (already seminal) book Memory, Power, Architecture: Contested Sites on India’s Deccan Plateau, 1300-1600. It was awarded the 2016 Ananda Kentish Coomaraswamy Book Prize at the Association for Asian Studies. Alongside Cynthia Talbot’s The Last Hindu Emperor (2015)– about which I wrote here— and Shahid Amin’s Conquest and Community: The Afterlife of Warrior Saint Ghazi Miyan (2015), this book represents a significant turn in South Asian studies towards ‘memory studies’ broadly speaking. Due to the travel EO, I chose not to attend the festivities in Toronto but Professor Nile Green (the Chair of the panel) was gracious enough to read my comments. I post here a shortened version for your edification.
Two of the works that were significant in my own intellectual formation belong to Phillip Wagoner and to Richard Eaton. Wagoner’s Tidings of the King: A Translation and Ethnohistorical Analysis of Rāyavācakamu (1999) taught me the invaluable lesson that historical texts can pretend a pre-textual history as its own– and that any prima facie reading of such texts can compound historiographic errors over generations. Wagoner’s effort in re-situating Rāyavācakamu as an early-seventeenth century text, as opposed to it’s own claim to be an early sixteenth century text, and in thinking about the genre as a source of historical emplotment, gave me a method to interrogate my primary concern– a thirteenth century Persian text claiming to be a translation of an eighth century Arabic work– anew. Eaton’s landmark study Sufis of Bijapur, 1300-1700: Social Roles of Sufis in Medieval India (1978) was itself methodologically innovative in considering texts emerging from within or about Sufi households alongside legal declarations and historical narratives. In my own research on thirteenth century Sindh, I was guided by Eaton’s example of creating a social network for a distant past by tracing textual and material networks that continuously cross borders enacted by historical or historiographic sensibilities.
I want to start with this particular perspective– of thinking about method for studying Indian medieval pasts. It is my contention that Power, Memory, Architecture: Contested Sites on India’s Deccan Plateau, 1300-1600 (2014) invocation and use of “Memory” begins from their methodology of walking the secondary regional centers to compile their GIS maps. In effect, walking provided the means with which the authors ‘see’ the landscape– both in its contemporary form and in its historical context.
Continue reading “How to See”