I thank Neilesh Bose for letting CM publish this conversation on Ayad Akhtar’s play, and we welcome your thoughts and responses– sepoy.
On April 3, 2015 Fawzia Afzal-Khan and Neilesh Bose organized a panel discussion around racialization, Islamophobia, and political power within theater and performance spaces today as well as in popular culture at Princeton University on April 3, 2015, moderated by Professor Jill Dolan.
The panel also included Aasif Mandvi, Ayad Akhtar, as well as theater producer Jamil Khoury of Chicago’s Silk Road Rising (a theater company dedicated to “Silk Road” stories from South Asia and the Middle East). Formal papers were delivered: Fawzia Afzal-Khan’s “Sexuality, Empire, Islamophobia and the Politics of Piety”, Neilesh Bose’s “The Dramaturgy of Political Violence,” and Jamil Khoury’s “Mass Media Muslims: A Three Lens Theory of Representation,”. The last has been subsequently published in alt. theatre: cultural diversity and the stage (summer 2015) as well as Arab Stages Vol. 2, No. 1 (Fall 2015). All three papers are currently being revised for future publication. The edited conversation below reflects a conversation between the three panelists after the panel.
Fawzia Afzal-Khan, Professor of English, Montclair State University, specializes in feminism, theatre studies, and postcolonial studies, and has published five books, including A Critical Stage: The Role of Secular Alternative Theatre in Pakistan (Seagull, 2005).
Neilesh Bose, Assistant Professor, Canada Research Chair, Global and Comparative History, University of Victoria, specializes in religion and nationalism in modern South Asia as well as theater and performance studies. Publications include Recasting the Region: Language, Culture, and Islam in Colonial Bengal (Oxford, 2014), and his edited collection Beyond Bollywood and Broadway: Plays from the South Asian Diaspora (Indiana, 2009).
Jamil Khoury, is Founding Artistic Director of Silk Road Rising, a Chicago-based theater company focusing on plays and narratives about the East Asian, South Asian, and Middle Eastern Diasporas, as well as a playwright and documentary filmmaker, whose plays include Mosque Alert and Precious Stones and whose documentary films include Not Quite White: Arabs, Slavs, and the Contours of Contested Whiteness.