XQs VI: A Conversation with Nayanika Mathur

[The XQs (Ten Questions) series is a conversation with the author of new and exciting works in South Asian Studies, whose aim is not to “review” but to contextualize, historicize and promote new scholarship. We thank Tariq Rahman for conducting this interview. Previously: IIIIIIIV, V.]

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unnamedNayanika Mathur is Lecturer in Social Anthropology at the University of Sussex, United Kingdom. She has studied at the Universities of Delhi and Cambridge and has held research fellowships awarded by the British Academy and the Leverhulme Trust at the Centre for Research in the Arts, Social Sciences, and Humanities (CRASSH), Cambridge. Her book, Paper Tiger: Law, Bureaucracy and the Developmental State in Himalayan India, was published by Cambridge University Press in 2016.

Tariq Rahman is a doctoral student in anthropology at the University of California, Irvine. His research interests broadly include real estate, financialization, development, the state, genealogy, and Pakistan.

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  1. Please explain the significance of your book’s title, Paper Tiger.

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Poetry Management

Shubham Shree[Shubham Shree’s irreverent Hindi poem “Poetry Management” has been awarded the 2016 Bharat Bhushan Agrawal Prize by renowned Hindi author Uday Prakash to howls of rage from the Hindi poetic establishment. Below, I share my translation of the poem, and Hindi poet Mangalesh Dabral explains what’s got them so mad. Urdu readers can check out Aftab Ahmad‘s translation by clicking here. Many thanks to Hindi poet Asad Zaidi, editor of Three Essays Collective, for introducing me to Shubham Shree’s work and to Aftab Ahmad for invaluable translation assistance.]

 

Poetry Management
By Shubham Shree

(Translated from Hindi by Daisy Rockwell)

Writing poetry is bogus!
Yeah, and useless!
Totally.

Unprofessional profession!
Part time!
Why didn’t I do some MBA-type thing?
It’d be a blast, man!
I’d write a poem; the SENSEX would fall
The poet Mr. So-and-So has written a poem against capitalism
The SENSEX has fallen
Chatter on the channel
This is an example of the fall of American imperialism
Will America be able to control poets inspired by Venezuela?
Assurance from the Finance Minister:
Have faith, small-time investors!

The RBI will immediately increase the repo rate
Hubbub in the media
A contemporary poetry collection is coming out:
What do you think, how will the common man, the aam aadmi, deal with this collection?
SMS your response to us
But hey, the glory of the CPO (Chief Poetry Officer) will skyrocket!
Ads will show up for every program:
Reliance Digital Poetry
makes life poetic
Tata poetry–
every word just for you
People will hang poetry in their drawing rooms
Ooh, it’s so lovely!
Seems like something by someone from Sahitya Akademi!
No, sir, it’s imported
The original is worth millions of dollars
This one’s a copy
Children will write essays:
When I grow up I want an MPA
LIC Poetry Insurance:
Your dream is ours too
DU, Poetry Honors, cut-off sky-high
The girls have come in first again
in the PAT (Poetry Aptitude Test) exams
Students have burnt the VC in effigy
protesting PAT reservation cheating
Approval granted for eight new poetry institutes
At only three years of age, three thousand poems memorized:
India’s tiny miracle
America, anxious about the situation in Iran–
defeated by the Farsi poetic tradition!

This is All India Radio
Now you’ll hear the news in Hindi from Seema Anand
Namaskar!
Today the Prime Minister departs for a three-day International Poetry Conference
All the country’s poetry groups are participating
The Foreign Minister made it clear that India will not change its poetry policy for any price
The India-Pakistan Poetry Negotiations were again unsuccessful
Pakistan demands India retract its claims on Iqbal, Manto and Faiz
China again tested new poetic adornments
Sources say these adornments will now create the most powerful
poetry collections in the world
India’s foremost poetry producer, Mr. Wandering Lover—Ashiq Awara—died at dawn today
More attacks on Dalit poets in Utter Pradesh today
In the meantime, in games, for the third time running, India
has won the gold medal in Antakshari
India won the match in straight sets, 6-5, 6-4, 7-2
That’s the news for today!

Today’s Hindu, Hindustan Times, Dainik Jagaran, Prabhat Khabar
The kids are going crazy for the latest poetic hairstyles
Poetesses share their short and long vowel secrets
30-year-old MPA boy—seeks homely, convent-educated, traditional bride
25-year-old MPA girl: fair, slim, tall—seeks suitable groom

Dude, this is fun
Keep talking
I’m gonna be a hero
Handing out autographs everywhere I go
It’s gonna be awesome, dude
Shut up, man
Third Division MA
Who’s gonna pay for an MPA?
Enough of your bullshit!
Sit down and proofread

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CM Roundtable I: Surkh Salam – Singh

[The CM Roundtable is a new series that presents multiple, in-depth reviews of an exciting new book. Each new roundtable will conclude with the author’s response. We thank each of our distinguished panelists and the authors for engaging in this public dialogue. We aim to have each roundtable available as a single beautifully produced e-book available at the conclusion– for classroom or referential usage.]

CM Roundtable I: Surkh Salam
Author: Kamran Asdar Ali
Panelists:
July 27– Ananya Jahanara Kabir, Professor of English Literature,  Kings College.
Aug 21– Author’s response
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Surkh Salam

Surkh Salam
Atiya Singh is a member of the Platypus Affiliated Society. Currently, she is working on her manuscript entitled, “The Vicissitudes of Democracy in Pakistan.”
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Photo Courtesy: Dawn http://www.dawn.com/news/1270214
Photo Courtesy: Dawn http://www.dawn.com/news/1270214

A recent New York Times article, Posters in Pakistan Urge a General to Take Control of the Government, (July 15, 2016) reveals a not-so-astonishing demand of the masses of Pakistan requesting the military to establish control of the government—“For God’s sake, take over.” The gist of this slogan was further captured in a statement issued by Rana Jafar Ali, President of a political party, Move On Pakistan: “Civilians are corrupt. They only fear the military.” Both the posters and Jafar Ali’s statement resonate with the sentiment of most people in Pakistan, whether they belong to the Left or to the right. It comes as no surprise when conservative forces pledge allegiance to the rule of the army, but how are we to understand the Left’s flirtation with authoritarianism?

The history of Pakistan provides several instances of the Left conceding to the ideological stance of the right. Before delving into the details of this history, it will be useful for us to keep in mind that on the whole the South Asian Left—Indian, Pakistani, Sri Lankan, etc.—was a direct expression of the ideological orientations existing within International Marxism. The rise of Stalinized communism in the 1930s signaled a shift in the idea of socialism away from overcoming capitalism, understood as an international and world historical phenomenon, toward the struggle for “socialism in one country.” This had significant consequences for the Left in regions that had struggled to find their national identity under colonialism. The story of the Left in India and Pakistan unfolds in this historical context. Anyone studying the history of the Left therefore has to contend with the implications of the legacy of Stalinism as a political problem that has continued, in the words of Marx, to “weigh like a nightmare on the brains of the living.”

Kamran Asdar Ali’s Communism in Pakistan: Politics and Class Activism, 1947–1972, wrestles with the predicaments of leftist politics in post-independence Pakistan. The example of the Communist Party of Pakistan (CPP), and later other variations of leftist politics that emerged in the form of the National Awami Party (NAP) and the Peoples Party of Pakistan (PPP), reveal problems in relating struggles for democracy with the struggle for socialism. Ali claims to recover the lost narrative of the Left in Pakistan’s history in order to uncover a series of political struggles led by the Left for the institution of democracy in the country. Undoubtedly, his narrative account has brought to light the unknown and forgotten tale of hardships confronted by a number of cadres, unions, and intellectuals at the hand of the state; the details of torture in the prisons are painfully vivid. In retrospect, confronting such extraordinary sacrifices, one is left to wonder how these martyrs understood their own political role. What did Marxism mean to these leftists? It is this conception of Marxism that needs to be directly addressed in Ali’s framework.
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To Understand Understanding: An Interview with Sheldon Pollock

[@sepoy notes: I am grateful to Gayathri Raj and the Columbia Journal of Literary Criticism, where this interview first appeared, to allow re-printing it here on CM.]

Sheldon Pollock is the Arvind Raghunathan Professor of South Asian Studies at the Department of Middle Eastern, South Asian, and African Studies at Columbia University. He was the general editor of the Clay Sanskrit Library and is the founding editor of the Murty Classical Library of India. A famed Indologist, his scholarship focuses on the hermeneutics of Sanskrit texts. He was awarded the Padma Shri, one of the highest civilian honors bestowed by the Republic of India, in 2010. His involvement with the Murty Classical Library has spawned a petition demanding he be removed from his post as editor in chief.

Gayathri Raj recently graduated from Columbia University. She does not want you to know what her major is, but sometimes she reads Sanskrit. She enjoys listening to M S Subbulakshmi and Oum Kalthoum.

Gayathri Raj: This issue is on myth, all kinds of myth, so I wanted to talk about national myths, given current events. I’ll start with the first question: the big pink elephant in the room, the petition that has been written on change.org demanding to remove you from Murty Classical Library

Sheldon Pollock: I was very tempted to sign that petition myself.

GR: [laughs] Why is that?

SP: My first reaction was, “Thank god, finally a way to get out from under all the crushing work of this project! [laughter] Then my second reaction was, are these people deranged? The suggestion that an obscure professor of Sanskrit off in the middle of nowhere could be a threat to the integrity of the great nation of India, simply because I signed a letter in support of students who have been arrested for nothing more than demonstrating their freedom of expression—- I thought that was utterly delusional. The third reaction has come slowly, and it’s more serious. It’s a little more nuanced and complicated. What is it in contemporary India that could produce such an ignorant, hostile document?

I’m very concerned about the source of this hostility and ignorance and how to address it in a manner that is progressive and salutary, that produces not more conflict but cooperation. So I’m not angry. I’m intrigued and worried about the cultural and psychological sources of the anger and shame that are evident in that document. When I refer to shame, I mean shame among people about the loss of their own cultural knowledge. Shame that it is virtually impossible to produce in India. a series of the quality of the Murty Classical Library. That fact is the result of a deep historical…I don’t want to say robbery, but loss. There is the shame of, “Oh, here’s this guy talking about power, domination, inequality, and hierarchy, and we don’t want to talk about that, we want to just talk about flying saucers in the Vedas and ancient plastic surgery, but here comes along this mean Orientalist.” But my sense is that the true shame that is motivating and empowering the document is the ignorance of things that people’s grandfathers and grandmothers knew which they no longer know. They’ve lost it, and how can they possibly get it back? I may be wrong: maybe too much psychology. But that is my sense of things.

Sheldon Pollock with T V Venkatachala

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