Indigenous Peoples’ Day at the University of Michigan – I

[To mark the Indigenous Peoples’ Day at the University of Michigan, Ann Arbor, student and community activists organized a march. The march was followed up by a teach-in to connect Michigan’s Indigenous history with said march. Following is a report on the march. Next up will be a report on the teach-in.]

Art by Shebani Rao: https://www.instagram.com/shebanimal/

 

This has been a particularly tense Fall at the  University of Michigan (UM). From racist incidents, graffitis, and flyers, to the agitation against recent visit of Charles-bell-curve-Murray and the organizing and protests afoot right now for the likely visit by Richard Spencer–the campus is abuzz with discontent and activism. UM honors its greats with buildings named after them: James Angell, the architect of the anti-Chinese immigration Angell Treaty of 1880; the president of American Eugenics Society, C.C. Little; the anticommunist Harlan Hatcher, while ignoring that this campus, and the city, has had a long history of activism and resistance and a tradition of creative protest that’s alive and well


 

The Indigenous Peoples’ Day–the University, unlike the City of Ann Arbor, still recognizes it as Columbus Day– went unmarked last year at UM. But, this year, a coalition of students and community activist groups and individuals organized a rally, supported widely by others who helped with the crowd-sourced printing of flyers and the zine (drafted to pass around at the march), flyering, and blocking traffic on the day of the march.

The Indigenous Peoples’ Day: March of Indignation was designed as a historic “marching” tour, to sound-out an Indigenous Peoples’ history of UM, to remember and remind, to re-signify the landscape and familiar landmarks of the campus. UM is built on land gifted by the Odawa, Potawatomi and Ojibway people for the education of Indians. A plaque at a central location on campus commemorates the “Land Gift“. However, Proposal 2 limits affirmative action, in effect prohibiting the provision of equal educational opportunities to students of color. And yet, as the zine (see below) says, “this state law does not supersede the nation-to-nation promise made in the Treaty of Fort Meigs.”

Continue reading “Indigenous Peoples’ Day at the University of Michigan – I”

Liberticide

By Francesca Recchia

Vancouver kiss – Rich Lam/Getty Images

It happens slowly, irreparably, slyly. What was the title of that song? Killing me softly. That’s how freedoms are killed – for the most.

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Female student protest in Kashmir – PTI (from Hindustan Times)

I am not talking about the big, bad, repressive regimes that everyone is so prompt to condemn. It’s not about water-hosing protesters or tear-gassing demonstrations or pellet-gunning stone pelters at eye-height. The public has strong reactions against these things – except for the latter, actually: in that case, if you excuse me a bad pun, people easily turn a blind eye because it is not really OK to mess with the world’s largest democracy (and a huge exploitable financial market). I am not even talking about brave women facing anti-riots cops or couples kissing passionately in front of burning barricades as if expecting the Apocalypse. These make good photos. They are also too much in our face and the media and public opinion are quick to respond. People call these instances brutal and unacceptable, they require specific hashtags and swift online mobilisations and collective changing of Facebook profile pictures in solidarity.  Continue reading “Liberticide”

CM Exclusive: Prologue to the Chinese Language Edition of The Darjeeling Distinction

 

By Sarah Besky

Sarah Besky received her Ph.D. in Anthropology from the University of Wisconsin-Madison and is currently Assistant Professor of Anthropology and International and Public Affairs at Brown University. She is the author of The Darjeeling Distinction: Labor and Justice on Fair-Trade Tea Plantations in India (University of California Press, 2014). Her current research works across ethnographic and archival evidence as well as rural tea plantations and urban auction houses and blending factories to explore “cheapness” as a social and economic value. A second book based on this research is tentatively titled The Cost of Cheap Tea: An Ethnography of Value in India.

[Previously by Sarah Besky: Surkh Salam, XQs]

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Prologue to the Chinese Language Edition of The Darjeeling Distinction: Labor and Justice on Fair-Trade Tea Plantations in India

Forthcoming from Tsinghua Press

When I sat down to write this Prologue to this new Chinese-language edition of The Darjeeling Distinction, I had just returned from a six-week research trip to London, where I steeped myself in the archives of the British Indian tea industry, mostly housed at the British Library.  As I pored through old correspondences between planters in the hills of Assam, Darjeeling, Kerala, and Kangra and brokers and buyers in London, comparisons between the teas of China and India abounded.  Even if the idea of writing a Prologue for a Chinese edition of my book had not been at the back of my mind during those months surrounded by musty letters, notes, and scientific documents about everything from chemical contents to proper modes of storage and shipping, these comparisons would have been impossible to miss.

Anxiety on the part of European tea planters in India about how the quality of Indian tea measured up to that of Chinese tea are emblematic of a longer economic and geopolitical entanglement between Britain, India, and China that spans continents and centuries, and links commodities including tea, opium, and silver.  Readers of The Darjeeling Distinction can find some of the history of this struggle recounted in the book’s early chapters.  Continue reading “CM Exclusive: Prologue to the Chinese Language Edition of The Darjeeling Distinction”

On two modes of witnessing: Azadeh Akhlaghi and Gauri Gill

By Sarover Zaidi

[Sarover Zaidi is an anthropologist, obsessing on architecture, art and other modes of being. Besides she runs ‘Elementary forms and the city’ and an itinerant future Guild for those who stand between the academy and the street. She has previously studied philosophy, worked in rural public health, loved and left Berlin, and worked in a bank.

The author would like to thank Samprati Pani for editorial and other lifeline inputs.

A version of this article first appeared in the Critical Collective http://www.criticalcollective.in – an online art and art history magazine from India.]

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Dedicated to the memory of my father, who died February 2017, my eternal witness.

Image credit: Art Heritage gallery

They ask me to tell them what Shahid means—

Listen: It means “The Beloved” in Persian, “Witness” in Arabic

—Agha Shahid Ali, In Arabic, 2003

Ali Shariati, the Iranian revolutionary and socialist, died mysteriously in 1977.  Shariati, also a sociologist, wrote Jihad and Shahadat, a rendering of the historico-mythical battle of Karbala, retelling it as the first red revolution. Composed as a testimonial to the dead, Shariati portrayed the female protagonist Zainab as the last witness to this bloody battle of loss, death and mourning. Unfortunately, at the peak of Cold War politics, prior to Khomeini’s rise to power in Iran (1979), Shariati had been found dead under mysterious circumstances (1977). Shariati’s own death went without witnesses or testimonials, or the image and space of mourning it demanded. Forty years later, Azadeh Akhlaghi, a photographer, provides a testimonial to Shariati’s death, in her experimental series ‘By an Eyewitness’. Continue reading “On two modes of witnessing: Azadeh Akhlaghi and Gauri Gill”